Best Tracks – 9.16.22
Whitney – “Never Crossed My Mind”
A departure for Whitney, although maybe not as much as it
seems. Spark is an energetic deviation, the kind that seems more like evolution,
even if it isn’t necessarily better than what came before, (although it’s certainly
better than what came immediately before). “Never Crossed My Mind” is the most
successful and maybe the best example of how talented Whitney is as a group. If
“No Matter Where We Go” is the kind of youthful, ode to infatuation that the
band was able to easily capture back in 2016, now six years later, “Never
Crossed My Mind” gives the listener a very different view of romance and
maturity in a relationship. The rumbling bass and the twinkling keys that round
out the back end, hint at the consistency in the group’s sound, and
simultaneously at how much they can do within those constraints.
The Black Angels – “Here & Now”
The Angels may be well past their late-aughts hey-day, and
their music may not have changed much since then, but as far as slightly
derivative and reliable psych-rock goes, you could do a lot worse. Yes, Wilderness
of Mirrors is not an important album, but it does have plenty to like, even
with its excessive runtime. “Here & Now”, with its propulsive beat and
Andrew VanWyngarden-esque vocals sounds fresh and purposeful, never pushing its
way into unnecessary, trippy, or garage guitar work. The band may not be
reinventing themselves or their niche sound, but no one faults Brian Jonestown
Massacre for not doing the same, and at this point, it’s hard to expect more
than that comparison.
The Beths – “Your Side”
As far as New Zealand indie pop goes, The Beths tends
towards the middle of the road. That’s not to say there isn’t enough to distinguish
them from the pack, just that apart from those elevating elements, the band
seems content too often to rely on genre cliches that hinder the overall
benefits. Expert In a Dying Field is a strong album though, and one whose
strength easily out ways any of its detractions. “Your Side” exemplifies the
group’s abilities when they are at their strongest, despite Elizabeth Stokes
delivering her vocals in an earnest although indistinct voice, the chorus is catchy
in a deceptively normal way and the band repeats that chorus enough so that
eventually it reveals how ingenious it really is, and in a way where it’s hard
to imagine anyone but Stokes singing it. Add in some great guitar leads strewn
throughout and the band taking lead on the final chorus and The Beth’s
individuality shines.
Quinn Christopherson – “Celine”
The first proper album from Anchorageite Quinn
Christopherson compiles the series of stand-out singles that he’s accumulated
over the last few years, along with some new material. The results are a riveting
and personal examination of transgenderism, alcoholism, and growing up as an
Alaskan native. It’s a summation of his experience and a surprisingly cohesive
piece of work, and “Celine” with its soaring chorus and gurgling
instrumentation is Christopherson at his most immediate and his most honest, as
a direct tribute to his mother.
Suede – “She Still Leads Me On”
Brett Anderson has been quietly releasing some pretty decent
Suede albums over the last ten years. That might be because no one can find
them, given the legality forcing them to be filed under “The London Suede”.
Regardless, Autofiction is another winner, and that is due almost wholly
to Anderson and his intense devotion to Suede. On nearly every track, he delivers
a theatricality and passion that very few legacy acts can muster. On “She Still
Leads Me On” in particular, Suede touches on what made them so great in the
first place, the biting lyrics, and Anderson’s charming and distinct approach
to storytelling. Anderson may still be writing, singing, and acting like he’s in
the 90s, but Suede is all the better for it.
Pink Siifu & Real Bad Man – “View of Paris (feat.
Ahwlee)”
Following the collaboration with Boldy James, Killing
Nothing, earlier this year, clothing/hip-hop producers Real Bad Man has
returned, this time with Pink Siifu, and on Real Bad Flights the results
are even better. This collab is just as well thought out, but the difference
here is the strength of the individual tracks, namely “View of Paris”. The
track slowly unravels over a simple beat and synth combo, taking its time to
find the right groove and giving Siifu and Ahwlee plenty of room to muse and
blend in, until a distinct piano line comes through to cement the track’s vibe.
No Age – “Tripped Out Before Scott”
People Hurting People may not be the No Age that fans
remember, after all, there’s less of the punky exuberance they first became
famous for, and less of the noise-art rock that they did so well on Everything
In Between and An Object. Nevertheless, No Age is remarkably resilient
and in place of some of their more left-field leanings are a few immaculate
rock tracks with plenty of ambient set pieces to bind them together. “Tripped
Out Before Scott” is still hazy and lo-fi, in the best dingey-basement kind of
way, but the energy and vigor are there and that carries the simplistic
arrangement to the halfway mark, where No Age turns a rudimentary track into
something approaching transcendence, or at least it would in a DIY environ.
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